"TRUTH OF GIFT INSTITUTE AHMEDABAD"
Industry needs designers who possess updated designing skills along with good communication & presentation skills too. Industry doesn't require those designers who unnecessarily explain & give justification about his/her design work?
GOOD DESIGN DOESN'T NEED SUPPORT
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GIFT: “ATOM SIZE GIFT”SINCE 1995.
GIFT
FOUNDATION DESIGN ART, CRAFT AND HOBBY SUMMER VACATION WORKSHOP:
World
Design Education Bodies cannot deny the “GIFT: Gandhi Institute of Fashion and
Textile” Diploma Certificate of Fashion/Apparel or Textile Design and its
Associate Degree of 2 years, which carries highest skillful knowledge and
actual practice weight, since 1995.
“GOOD NEWS for GIFT FRESH STUDENTS”
SUMMER VACATION WORKSHOP OF GIFT FOUNDATION COURSE: Design, Craft
and Art 2014, FEE: Rs.25000/- with All learning materials and folios, means
BURDENLESS learning with Confidence.
Course detail is mention underneath for PERUSAL.
Summer workshop 1st batch admission will Begin from 25th
march to 7th April 2014 and for 2nd batch 25th
April 2014 onwards. For course details click shown links www.foundationgift.blogspot.in www.giftsummer.blogspot.in
Course text, work and working photos and Design Arts Picture
plates and for updates click this link www.giftgandhinews.blogspot.in for understanding.
20 Student/Batch
will be given admission due to individual teaching, age group 12-52 yrs.
Course duration is approximate 40 days/125
Hrs and should be completed in 2 months only.
Course fee is 50% less than actual in down payment, with all learning materials and folios as per gift policies, teaching
methods and mission, for fee click shown link www.giftfeestructure.blogspot.in“This is only for summer
course and this facility will get closed in last day of April for all initial
batch” Best learner
will get 25% teaching fee refunded by Cheque as/Gift Educ. Means more gain.
For more details about Gift Design Education for Fresh Learners
Perusal click shown links: www.giftgandhi.blogspot.com for students art work shows and sales, www.giftfashion2011.blogspot.com for western garments, www.fashioninst.blogspot.com for fashion course and garments, www.embroiderydesigning.blogspot.com for textile embroidery for multi task, www.gandhishow.blogspot.com for designer sari, www.giftfashionillustration.blogspot.in for fashion conceptualization and
illustration, www.textileinst.blogspot.com for textile, Website: www.gift-india.com E-mail:
info@gift-india.com and giftinst@gmail.com Address: White Cross Building, 15 Patel Society, Near CII Building,
Panchvati, Gulbaitekra Road, Ahmedabad 380006, GUJARAT INDIA, Phone: +91 079
26463702 Mobile: +91 09825698294
“JOIN GIFT AND LEARN BEST IN WORLD”
“This is
FIRST TIME on Fresh Learners Demand Gift is conducting summer workshop”
Above
mention all details is only for summer workshop foundation art and craft purpose
SUMMER VACATION WORKSHOP OF GIFT FOUNDATION COURSE IN AHMEDABAD FEE:
Rs.25000/- with learning materials and folios,
means BURDENLESS learning with Confidence.
“125 Hours in 35 to 40 days in 2 months, learning”
“Carry home after learning, learnt work of value design, worth above
Approximate 1 Lac, as learnt work folios and Art frames”
Summer workshop:
Performing arts
of crafts
Holidays
programme of arts and crafts
Gift summer
camps of arts and crafts
Gift pencil
shading arts and style
Gift pen and
ink ornamental arts and style
Gift black
and white Mexican and African arts and style
Gift summer
workshops is not for children below 12 years age
Gift stencil
air brush painting workshop
Gift fancy
fan cut painting workshops
Gift design,
arts and craft centre
Gift water
colour painting workshop
Gift
embossing and painting arts and crafts workshop
Gift textile
resist style crafts and arts workshop
Gift Life
and fashion accessory crafts workshop
Summer
workshop of design in Ahmedabad
Summer
workshop of art in Ahmedabad
Summer
workshop of craft in Ahmedabad
Summer
workshop of design and art in Ahmedabad
Summer
workshop of design and craft in Ahmedabad
Summer
workshop of art and craft in Ahmedabad
Summer vacation workshop:
Summer
vacation workshop of design in Ahmedabad
Summer
vacation workshop art in Ahmedabad
Summer
vacation workshop craft in Ahmedabad
Summer
vacation workshop design and art in Ahmedabad
Summer
vacation workshop design and craft in Ahmedabad
Summer
vacation workshop art and craft in Ahmedabad
Learn in Gift workshop, as above mention in Gift summer workshops.
Art and Craft Hobby Summer Vacation workshop, onward 25th March
to 25th April of every year in Gift, with learning materials and folios,
means BURDENLESS learning with Confidence. “Duration 125 Hours means 35 to 40
days learning in 2 months” “Carry home after
learning, learnt work of value, worth above approximately 1 Lac in folios and
frames” In workshop learn colour transparent character surface designing, water
colour, ornamental design on paper and fabric, embossing surface and painting, stencil
and air brush painting and pencil shading under craft and art hobby as Gift
Foundation course, for detail see shown link www.giftsummer.blogspot.in
GIFT: Gandhi Institute of Fashion and
Textile Ahmedabad by Khalid
-----------------------------------------------
GIFT: Gandhi
Institute of Fashion and Textile
If any Yellow Pages show in Google web search beside
Prof. Khalid Ameer Rafique GIFT, anywhere is not our BRANCH, because we do not
have. As shown in grotal.com in Maninagar Ahmedabad is not our “GIFT” BRANCH,
Kindly NOTE. They Misleading Misguiding Students.
NOTE: In same account Year, GIFT all Educational
Schemes Begins from 16th April and gets over in November same
account year, which means no benefits new learner, can avail.
All copy rights are reserved by GIFT: Gandhi Institute
of Fashion and Textile. By Prof Khalid Ameer Rafique.
------------------------------------------------ Website: www.gift-india.com
Email address: info@gift-india.com giftinst@gmail.com
Atithi Devo Bhava
GIFT Graduates and Alumni since 1995
GIFT’s mission is highly regarded by GIFT learners, their parents, friends, industries and noble family members of Prof Khalid for instance, Late Justice Shri Mohmmad Rafique, Tonk, Rajasthan (father), Late Smt Hamida M. Rafique (mother), Late Mayor of Ahmedabad and GIFT trustee Smt Begum Aneesa Mirza (Elder sister), Ret. Principal IIHM, Ahmedabad, Mr. N. M. Rafique (Elder brother), Late Shri Fakhruddin Gandhi (father-in-law), Mrs Nishrin Khalid Rafique (wife), Teachers, Brothers, Sisters, Friends and obliged by the grace of GOD ALMIGHTY.
1. GIFT FRESH LEARNERS AND GRADUATES
GIFT is a place where every fresh learner can act, express their expertise and knowledge with others with honesty simply like a true learner without any hindrance and hesitation. There is no question or doubt that in Ahmedabad there are many small and big design institutes but there are few with a recognition of world fame and globally countless in number. But GIFT (Gandhi Institute of Fashion and Textile) is amazingly unique and cannot be compared by any means with other known design institutes globally.
It is a universal fact and is well understood in the practice of design subject, that teaching UG and PG design courses are more or less the same. The only difference is the duration of learning time for UG is a little more , but at GIFT it hardly matters whether it is a UG or PG course due to GIFT’s short term and part time courses being not less than any of the above design courses of known design institutes and it has happened and has been happening since 1995 at GIFT. At GIFT one can do specialization in Fashion in 6 months and Textile in 7 months without any problems.
This is due to Prof. Khalid Ameer Rafique’s teaching expertise, objective and missions for his design institute where 100% humanity coexists and is always practised. The glow of GIFT is spreading like a design entrepreneur in Ahmedabad and also in other places globally.
Simply before opening GIFT activities as a design institution, it took 10 years of continuous research and practice as to how to teach a complete fresh learner which includes inviting fresh and learned learners to practice under the guidance of senior designers as well as by Professor Khalid Ameer Rafique and testing the modules of design subjects through empirical methods and evaluating their grasping power, and accordingly simplifying each subject module for further testing with learners and That practice had continued almost few years and was later tried with the first batch the total design course subject module in 1995. The result from those fresh learners were unimaginable and with this progress GIFT began its regular Fashion and Textile Design Courses.
GIFT never claims according to its course level of Fashion and Textile as equivalent to other known design institutions of UG or PG courses. But yes, GIFT course is different because, they are simplified through teaching methods for fresh learners. No doubt it was a difficult task in the beginning, but now after 15 years of continuous teaching and upgrading the Design Courses for Fashion and Textile, Home Textile Interior and Jewellery Design has become like baby sitting for GIFT’s faculty And certainly few courses what GIFT teaches as a design skill, no other known design institutes are teaching. This is due to Prof Khalid Ameer Rafique working in reputed industries like Arvind Mill - Ahmedabad, Jayashree Textile – Kolkata, Raymond - Thane, Gujarat Spinners - Amletha and many more small industries as a consultants as well as teaching at NID for 12 years as a visiting faculty and two years as a regular faculty of NID plus two years of fine art practice and first show in India at The Taj Art Gallery, Taj Hotel, Mumbai etc, helps to meet the design subject learning more simple for a fresher.
The idea to make such above mentioned design courses avail for any fresher comes to the professor’s mind because before joining NID through screening test, Khalid was not able to draw properly nor put ideas on paper in drawing, but was strong in articulation through text with a logical reasoning. Due to this, he realized that if somebody can simplify teaching of the design subject, then it is possible for anybody to learn design easily and practice professionally for earning their bread and butter. That means the idea of GIFT was like a God’s gift to Khalid since 1975-76, and today he can see the fruitful results.
Amazing GIFT for GIFT learners and surprising GIFT for others because GIFT is the poorest NGO globally. GIFT doesn’t possess stylized studios workshops, auditoriums, resource centers, display rooms, cafeteria, etc. which means very less space for the learner is present and that is why GIFT doesn’t teach more than 34 students a year. There is no doubt that an institute needs a library and systematic storing place and that is why we certainly have more than 4000 books. It doesn’t matter if we don’t have printing, weaving sections because GIFT students utilize the same space and table provided for the above said purpose. Whenever our students need to weave, GIFT assembles the sample loom on the learning table for student’s weaving exercise. When the weaving is done the loom is stored under the table and in the same style GIFT’s learners practice printing, paintings, airbrush, stencils, etc.
GIFT’s learner doesn’t need to go out for anything. Learning material which includes stationeries, folios, papers, fabrics, yarn, tools, machines, etc is provided by GIFT to explore without wasting material towards their goal of learning, which means exploration through empirical methods at GIFT is limitless. Certainly, GIFT is poor space wise, but richer in its own way than any other institutions globally. GIFT certainly tries to teach the best and teaches all design subjects in the lowest of fees. So any fresh learner can try GIFT’s admission according to the Admission Policy and learn without burden and hesitation. Why is GIFT unique? It is because what so ever amount a fresh learner pays at GIFT mostly recovers from the classroom work, show and exhibitions on sale or otherwise in two months while working in appropriate design fields.
GIFT needs donations for its own building but who will give for such a good cause?
GIFT provides learning materials for its learners because they get all the learning material in wholesale price and once they pay, they feel free and burden less to explore new ideas and practice it. That is why learning is speedy, but a big headache for GIFT is to maintain too much stock for each student. Another reason for quick learning professionally and practically is due to 100% individual teaching. GIFT teaches 70 garments pattern cutting, which includes ethnic, western and fusion according to the learner’s measurement, that means, style of Tailor made garment to check the learning and growth for comfort fitting practically. And the Tailor made garment is taught on flat pattern as per the learner’s actual measurements 100% only at GIFT, which boosts the morale of each GIFT learner and they are fit to make garments for anybody in any style. GIFT’s continuous efforts and openness to accept the feedback and implement after refining certainly improves their teaching style every year with the GIFT course contents in any discipline of design. At GIFT, a fresh learner can have their query towards their subject and GIFT faculty always tries to fulfill and make them understand and if their expertise fails, they don’t hesitate to confess of not knowing the subject or any case of failure of understanding the subject. But certainly, in a day or two they find the solution and pass it on to the questionnaire. That is why GIFT is honest, modest, popular and famous due to such acts.
Gradually we are trying to reach the masses through website blogs and face book making it easily accessible and open for anybody who wishes to be benefited by the knowledge it imparts to students. Such facilities are available and affordable by GIFT for fresh learners because GIFT is teaching individually which means no competition amongst the learners as long as the fresh learner has not reached to the appropriate learning of that subject, and the learning is continued for that learner. That means no fixed time for any design subject at GIFT. But completion should be appropriately finished on time. That is why 5 days is regular learning at GIFT and slow learners can learn on Saturdays for which all the faculties are available to assist. Due to such practice of GIFT their learning becomes perfect and well focused globally.
A history of 15 years of GIFT cannot be written in detail, as whoever will read may laugh or cry but will certainly not understand the mission behind its existence and what pain Prof. Khalid has taken for GIFT. To begin GIFT after so many years of research and work inspite of Prof. Khalid being in a terrific financial crunch, was the only fact that the idea of GIFT’s seed was sown in his soul and he fearlessly, having only Rs.500 in his pocket and a few credit cards, run the family with kids and fulfilled all the facilities after departing from NID. He had rented a place for GIFT, hired furniture, advertised in classified ads in The Times of India, arranged two assistants and hand painted banners by himself hanged all over Ahmedabad and GIFT began modestly with 16 students of its first batch. But there was no money to pay the rent and salary for two design assistants as well as the cleaner, for which Prof. Khalid took consultancy with industries for two years in a row to push GIFT, as well as the Family socially. At that time, the fee of GIFT was a token amount of Rs. 1100 only from each learner whereas GIFT was spending more than Rs. 7000 per course because at that time each course designed was taught with various methods to simplify the GIFT education for the future and it was continued for years in favour of Prof. Khalid’s missions as well as GIFT fresh learner. One can say, Prof. Khalid has single handedly by the grace of God Almighty built the world fame GIFT and it is known to all in India
No doubt, GIFT’ design education mission as united India is inspired by noble people, spiritual leaders, great Gurus, Prophets, known writers, story tellers, humble swamis, highly regarded Avatars of the world, King Ashoka, social workers, spiritual granths, freedom fighters and many more. Since the understanding of every Indian form childhood to school learning is almost similar and common for practice of the individual growth and nobody can deny that they have not learned the above mentioned from their parents, grand parents, family friend and teachers.
All great people by the virtue of God Almighty born in Asia are comparatively larger in number in India
Prof. Khalid got inspired with the above mentioned and its result got moulded in his mind about the unique and amazing GIFT with all minute details of design subjects and others as mentioned above of noble people and great avatars. It is always good to have one story in mind to follow the great Noble person’s life and if you have many stories that you can understand and practice in one’s life then beneficiaries of that will be the masses. E.g. How Prof. Khalid began the GIFT design education while following the above. GIFT is named after Mahatma Gandhiji, one of the foremost architect of modern India who certainly followed the path of sharing and imparting knowledge with honesty, simplicity, tolerance and meaningful result oriented vision for future practice to build India like the Ashram days of Golden era with the ideologies of great Guru-Rabindranath Tagore, Swami Vivekananda, Prophet Mohammad, Swami Mahavir Bhagvan, Guru Nanakji, Mother Mary, Jesus Christ, The great writer- Shree Ganesha, Valmikiji, Tulsi Dasji, Siddharth Gautama Buddha, Maharshi Shree Muni Vyas, social worker and freedom fighter Lal Bahadur, The great scientist Aryabhatta, Homi Bhabha, King Ashoka, great teacher of NID, Mohan Bhandari, Amir Ali Khan of TONK, Rajasthan High School. The above great humans live and their soul is still alive in us through Prof. Khalid’s work and one should not forget such stories in every walk of life and if all believe in that then you can not imagine what India
By following their philosophy, ideology, mission, education systems and methods, preaching, and living everything will become modest and simple then imagine India India India , work for India and die for India
Why are some qualities shunned away from GIFT? Stealing, lying, justification, explanation, etc, because of GIFT’s objectives and policies that is why at GIFT nobody is in charge for the store and the library and no security is needed due to total faith in each other. That is why everybody at GIFT has a gesture to not waste but to utilize everything which is available as learning material, tools, machines etc as their own. The above practice, we have learned from the following stories.
2. “MAHATMA” GANDHIJI
The end result of dedication of Mahatma is united and free India which is achieved because of his philosophy, dedication, simplicity, mission objective and his ways and methods of executing things religiously, till the result is achieved. His pursuing nature for doing good and more good in favour of the country people cannot be compared with any freedom fighter till date. According to me, Mahatma’s followers are not only in India but overseas as well, like Dr. Nelson Mandela who brought freedom to South Africa and Dr. Martin Luther King who brought freedom and equal rights to the black people of USA
Only Indians can understand truly his dedication towards the nation. In relation to this there is a story where he saw a woman washing cloths topless by the riverside, after that he has never worn the top cloth in respect to the nation’s women.
His way of forgiving and not reacting has countless examples. For instance, he was thrown out of the train even though he had a reserved general ticket. He had also been bashed up by stick but never reacted. That is why he has given the phrase to the world “Offer your other cheek if somebody’s anger is not over”. That shows his tolerance power and courage to handle any painful situation in life. He always felt happy when he saw others happy, otherwise he lived quite a part of his life with pain for The Nation. It was a sad demise even then in the end he said “Hay Ram”. What else one needs to learn from him because his life teaches us enough, to lead a life with patience and tolerance and build the nation made up of continuous honesty.
Today in India Gandhiji’s Charkha (Amar Charkha spinning) and Khadi weaving on the handloom gives bread and butter to unaccountable people of India India
3. PROPHET
The story of Prophet Mohammad, who lived his life with simplicity, modesty and punctuality with tolerance and forgiveness, can be cited from the story of a woman throwing garbage at him from the top of the building to which he never reacted. It happened one day that no garbage was thrown on him, on enquiring about the lady, he got to know that she was ill. So he immediately called the Hakim and treated her with medicines following appropriate instructions from the Hakim and she was cured in a few days. He was happy to see her healthy and hearty once again. This small gesture of humanity changed her completely. That shows love and affection works like medicine in our human society and hypocrisy and anger destroys the nation.
Another story of Prophet Mohammad is derived from the saying “For knowledge one should go to Chin (China
4. GURU RABINDRANATH TAGORE
The story of Rabindranath Tagore is a lesson to the nation, what a man he was! A Guru with countless definitions.
By birth he was a Thakur and a rich man in all senses by the virtue of God Almighty, who devoted socially, culturally with his limitless educational background versatility for the people of the nation without any differences and the end result of his noble soul, was “Shanti Niketan” .His pure knowledge without bias, to any criticism was what brought him the noble prize for his book, “Geetanjali”. What else one needs to speak of him? Simply because he was simple, modest, an honest guru and the man who had given the title “Mahatma” to Gandhiji.
For instance, if Shanti Niketan is spread all over the country what would education be and the status of the nation globally? By all means one cannot imagine as like the story wise paradise.
The great example and story of Swami Mahavir Bhagwan possessing qualities like tolerance , power of forgiveness with spiritual understanding with a focus to masses is unmatchable by the virtue of God Almighty, by firstly being a perfect human for oneself and then others, what a great teaching!
5. KING ASHOKA
The story of King Ashoka says that because of his pride there took place a war which ended in a death game making him realize that there were so many innocent orphans and widows left with nobody else to take care except God Almighty. This realization changed King Ashoka and as a result of which he started planting trees in both sides of the path, built shelter homes (dharamshalas), township, etc. Due to which Ashoka became the pride of India
It is not necessary to be a king and realize like the example of King Ashoka, even an ordinary person can bring such miracles and that work will be highly regarded by all means like the moral stories.
6. SWAMI VIVEKANADA’S FOLLOWER PROF. KHALID
When Khalid was a sixth standard student at NaveBharat Higher Secondary school , Ashok nagar, Udaipur
The story of Vivekananda’s lifestyle may be lesser than many swamis but his virtue and knowledge along with his oracle power cannot be matched. He was a simple preacher and taught that if you want to share knowledge and abilities with others, one should maintain ones health, otherwise there is no point to posses such qualities which cannot be passed to others as the above said qualities for a good cause.
7. MOTHER MARY AND JESUS CHRIST
The story of Mother Mary may have differences being a different community but the meaning to lead a life for the nation is no different. Mother Mary and Jesus Christ’s story in short says they have lived their lives without fear and hindrance while keeping God Almighty in mind with pure unbiased soul and worked according to the God’s instructions for the weaker section of the society like, leprosy patients and blind people. This is due to love and affection of son and mother as an example to human versatile society and their followers have built wonderful versatile human service centers like prayer centers, hospitals, orphan age, education centers and many more. Due to the above, services become pillars forever of the above services.
It is a great example of missionary education with high standard and decorum. With these examples, so many universities and NGOs are building up the morale of education globally. In India
8. GURU NANAK SAHIB
The story of Guru Nanak Sahib and his understanding of his father’s one direction oriented preaching due to which he has done various miracle and guiding path for living to his panth followers. What a teacher and Guru he was!
Once a Muslim man told him while sleeping, not to keep his feet towards the direction of Kaba because it was the God’s House side and he smiled and replied “Turn my leg in the direction where God is not present”. After hearing such saying from the Guru, the Muslim man realized that Kaba was build by prophet Ibrahim keeping in mind that by the virtue of God hence every Muslim should have one side of prayer in equality in between Sunrise
Once Guruji’s student (Chela) Bala and Marda asked, “Guruji, why do you preach to all the good people to spread all over the world, why not to bad people?” Guruji replied “let’s spread good people so that we will have a beautiful world to live in”. By such saying of Guruji you will find Guru’s follower, Sardars all over the world.
9. PROPHET KING SULEMAN
The story of King Suleman was that, He and his troops with the power of birds, animals, human muscles and weapons was once marching through the Ants Valley and he heard the King Ant saying, “carry on working and do not worry if Suleman’s troops crush you under his horse’s hoofs”. King Suleman then smiled because he knew the language of every creature of the Earth and immediately ordered his troops to divert and avoid the Ant’s Valley. That means if you are powerful you must help others and by helping others you will become more powerful by virtue of Gold Almighty.
10. LORD KRISHNA
The Story of Shri Lord Krishna reflects various names of perfect character and gesture for our day to day humanitarian living. It is not a laughing gesture but it is a wonderful example which is unforgettable by our human society called the “Makhan Chor” which means when kids are hungry they take food to fill their stomach and we cannot call them thieves. That teaches us that when kids are around we must not forget to take care of their above act. Another loving gesture of Krishna for kids is “Bal Gopal” and “Laddu Gopal”.
Murliwale Shyam entertaining all gopis for their better livelihood and regain the life to live like others which is later followed by Lokmanya Gangadhar Tilak and Raja Ram Mohan Roy.
Ranchor gesture of Krishna which was later followed by King Ashoka and many more not to kill for their pride and make thousands into orphans and widows.
When Vipada (trouble or natural calamities) comes in Gokul like unstoppable rain, Krishna has lifted the hill with his little finger to create shelter and protect all Gods creature from heavy rain. That means when power is used for a good cause one should not hesitate by any powerful vipada.
The above small gestures of Lord Krishna were for human society and if we all believe in that what India
11. SIDDHARTH GAUTAMA BUDDHA
The story of Siddharth Gautama Buddha who left the kingdom to live a simple life with tolerance and forgiveness due to which you will find his followers all over the world. One day Buddha was sitting under the Banyan Tree and one fellow came near by and spit on his face and Buddha did not react on such act and he instantly smiled and cleaned the spit with a piece of cloth. When that person went home and realized about his foul act, the very next day he went to Buddha asking for forgiveness and Buddha replied “You don’t need to say sorry and ask for forgiveness, due to the realization you are not the same person anymore, you are a changed human being”
To make people more responsible for the human society we should be convinced by the humbleness and patience of Buddha, to build united India
12. LORD GANESHA
The story of great writer Shri Ganesha with his interpretation skills of seeing through and through and reading other’s minds in detail made Maha Rishi Muni Vyas wonder how come Ganesha could complete the text of Mahabharata before his dictation. That shows that if anybody is calm, patient and direction oriented certainly they will have Ganesha’s Ashirwad by virtue of God Almighty (Bramha, Vishnu and Mahesha).
13. VALMIKIJI
The story of Valmikiji who has written Maha Kavya Ramayan with the heart of Ramayana Sundarkand shows that if anybody wants to give up bad deeds in life they can do good things anytime in life in the favour of human society and one should be like Valmikiji doing good deeds. One should read, and realization will take its shape and then certainly one will have good work to share with others.
Due to Valmikiji we all know the story of Maryada Purushotam Ram and that is why today we celebrate Dusshera, Diwali and simultaneously in between perform a puja for Lakshmiji. That means we need to read such stories, ritual books, granth etc for our prosperity. Being a human, that shows “Nation cannot be built without will power”. Shri Ram was a great example of obedience to his parents for not asking why he was sent 14 years Vanwas. We must not forget such great examples in life.
14. TULSIDASJI
The story of great writer Tulsidasji, by virtue of God and his luck, got married to a beautiful lady and never did anything for his livelihood due to her good glances which is why after some time his wife left him and went to her mother’s house.
After few days Tulsi Dasji was not able to resist his wife’s absence and went at night to her mother’s house and saw a rope hanging from the balcony, with the help of which he climbed up to meet his wife. And when she saw Tulsi Dasji she got shocked and asked, “How did you climb up?” Then Tulsi Dasji smiled and replied, “Didn’t you hang up the rope for me from the balcony?” Then they both went out to see in the balcony and they found no rope but instead a big snake crawling away accordingly. Then his wife said, “To meet me you are not scared of a snake, without realizing that it is not a rope you climbed up”. Then she added, “If you dedicate your work in one direction, you will create concrete work and I’ll be the happiest person to see that”.
Tulsi Dasji’s realization made him write Ramchandra Manas, which says that every human has one sort of liking and desire with full dedication and inbuilt strength. And if anybody uses the above saying for a good cause of our society then we cannot imagine our own creative work, becomes an example for others.
15. LATE P. M. LAL BAHADUR SHASTRIJI
The great example of our Late Prime Minister Shri Lal Bahadur Shastri says that during his college days, being in a poor condition he used to swim across the river to reach college by swimming because he could not afford the boat ride and he was smart enough to put all his belongings in one Matka (pot) and crossed the river with it. After crossing the river, he hid the matka in the bushes, and used it everyday.
In 1965, I heard him on radio, crying and saying “As a Prime Minister I am not able to provide food two times a day even though we have the buying capacity, therefore, I also eat only once a day so please do the same so that nobody can sleep hungry.” This practice was later followed by Indonesians when the country broke down financially. The Indonesians came out in miles and miles of queue to deposit their wealth in the Indonesian bank to overcome from World Bank debt. This shows we Indians teach globally and with a unanimous belief, what India
16. TEACHER AMIR ALI KHAN TO MOHAN BHANDARI
Another example is of teacher named Amir Ali Khan of Natamam Higher Secondary School, TONK, Rajasthan, who used to teach us (Professor Khalid) with a stammering speech and we all used to make fun of him, but he without reacting carried on teaching theories, practical, botany and zoology without loosing his temper. This is what I call a sporty teacher!
He never showed hatred towards anybody and never claimed pride for the good results of his students. No doubt he was a true teacher and will remain the same as long as our memories live.
Another good example, Shri Mohan Bhandari, teacher, guide and foundation in-charge of N.I.D. Ahmedabad, who used to teach continuously every meaningful word of Design. In 1976, when I (Prof.Khalid) was a student of his with a Hindi medium background and his fluent English and writing speed on black board, made me wonder and gave me a lost feeling in the class. But I used to note down everything with concentration and calmness without any questions. Due to this he realized my weakness and used to call me early in the morning everyday at his residence serving me a big bowl of fruit salad followed by, giggling and laughter while making fun of me and asking me to do the same. As time passed by I didn’t realize that within a short span of time I was no less than my other class mates in my vocabulary. What a great teacher he was and still he is!
I personally think that if every institute has a teacher like Mohan Bhandari for basic teaching, then, just imagine how the institute will grow and how the learners will gain knowledge productively where sky is not the limit.
The story of Dr. Subramanyan Chandrasekhar who got the Noble Prize in Physics in 1983 as a USA citizen used to make a 2 hours long drive trip everyday to teach his two students and his two students got Noble Prize before him. What a teacher he was! Students must learn and regard the value of such teacher’s association.
All above stories are based on moral stories of primary school level learning which is not much in detail but is quite necessary to understand and practice in life, and this is the most important for every human. To believe it or not varies from person to person and if you believe and live accordingly, certainly you will have peace of mind like a perfect human.
The all above examples and understanding summarize GIFT more powerful globally in the last 15 years where learners are coming for GIFT education from all over Gujarat, Rajasthan, Maharashtra, Madhya Pradesh, Uttar Pradesh, Nagaland, US, Canada, and now from South India as well due to GIFT’s teaching methods, policies and missions which is unchangeable where there is always room for improvement.
The details of GIFT graduate alumni since 1995 is as follows for their association as students and now as a friend for all perusal:
GIFT Graduates and Alumni Since 1995
| |||
Sr. NO.
|
Name
|
Year
|
Course Learnt
|
1
|
Ami Dilipkumar Vora
|
1996
|
Fashion and Textile Designing
|
2
|
Ekta Vishandas Lakhani
|
1996
|
Textile Designing
|
3
|
Ankita Ravindrabhai Kadia
|
1996
|
Textile Designing
|
4
|
Dipti Niranjan Bhavsar
|
1996
|
Textile Designing
|
5
|
Madhuri
|
1996
|
Textile Designing
|
6
|
Mavli Kirit Shah
|
1996
|
Textile Designing
|
7
|
Purvi Vrajeshbhai Parikh
|
1996
|
Textile Designing
|
8
|
Baljeet Kaur Ahluwalia
|
1996
|
Textile Designing
|
9
|
Tejal Bipin Patel
|
1996
|
Textile Designing
|
10
|
Shadin Shaukat Shaikh
|
1996
|
Textile Designing
|
11
|
Maneisha Disouza
|
1996
|
Textile Designing
|
12
|
Rekha Shrikant Onkar
|
1996
|
Textile Designing
|
13
|
Neetu Gyanchand Asrani
|
1996
|
Textile Designing
|
14
|
Neeta Nanubhai Patel
|
1996
|
Textile Designing
|
15
|
Rashmi Khaitan
|
1996
|
Textile Designing
|
16
|
Charanjit Kaur Sangar
|
1996
|
Certificate Not Given
|
17
|
Nitika Satgruji Agrawal
|
1996
|
Fashion and Textile Designing
|
18
|
Rebecca D'Souza
|
1996
|
Fashion and Textile Designing
|
19
|
Dipti Mafatlal Desai
|
1996
|
Fashion and Textile Designing
|
20
|
Pinki Navinchandra Brahmbhatt
|
1996
|
Fashion and Textile Designing
|
21
|
Almira Varakhwala
|
1996
|
Textile Designing
|
22
|
Shyanee Sanjay Banerjee
|
1996
|
Fashion and Textile Designing
|
23
|
Alefiyait Moiny
|
1996
|
Textile Designing
|
24
|
Aleriyah Zakavi
|
1996
|
Textile Designing
|
25
|
Heena Gulam Moinuddin Saiyad
|
1996
|
Fashion and Textile Designing
|
26
|
Madhuri
|
1996
|
Fashion Designing
|
27
|
Bimal Mansukhbhai Dabhi
|
1996
|
Textile Designing
|
28
|
Leena Singh
|
1996
|
Textile Designing
|
29
|
Roshnz Flora Lobo
|
1996
|
Textile Designing
|
30
|
Sonal Agarwal
|
1996
|
Textile Designing
|
31
|
Vibha Yogendra Dixit
|
1996
|
Certificate Not Given
|
32
|
Shorokh Jemshedji Coachman
|
1996
|
Textile Designing
|
33
|
Sajeda Gulamnabi Shaikh
|
1996
|
Textile Designing
|
34
|
Meenal Hem Desai
|
1996
|
Textile Designing
|
35
|
Urusha Khurshid Hussein
|
1996
|
Textile Designing
|
36
|
Chetan Ashok Kumar Varma
|
1996
|
Certificate Not Given
|
37
|
Veena Kanayala Udani
|
1996
|
Fashion and Textile Designing
|
38
|
Shalmi Kiritbhai Patel
|
1996
|
Fashion Designing
|
39
|
Jahnavi Bipinbhai Pandya
|
1996
|
Textile Designing
|
40
|
Pradeep Kunjan Pillai
|
1996
|
Fashion Designing
|
41
|
Kirty Banwarilal Maheshwari
|
1996
|
Fashion Designing
|
42
|
Hema Yogesh Agarwal
|
1996
|
Textile Designing
|
43
|
Rushina Harish Bhatt
|
1996
|
Certificate Not Given
|
44
|
Indu Bala Jain
|
1996
|
Fashion Designing
|
45
|
Shweta Rajnikant Thakkar
|
1996
|
Fashion Designing
|
46
|
Kajal Gordhan Patel
|
1996
|
Fashion Designing
|
47
|
Praiiti Dhyanesh Mehta
|
1997
|
Fashion Designing
|
48
|
Parnid Jitendra Thakore
|
1997
|
Fashion and Textile Designing
|
49
|
Shemy Sadanand Kunumal
|
1997
|
Fashion Designing
|
50
|
Ashni Praful Dholakia
|
1997
|
Certificate Not Given
|
51
|
Rajendra Parihar
|
1997
|
Certificate Not Given
|
52
|
Mayur Vaidya
|
1997
|
Fashion and Textile Designing
|
53
|
Palak S. Trivedi
|
1997
|
Fashion and Textile Designing
|
54
|
Shruti Prakash Doshi
|
1997
|
Fashion Designing
|
55
|
Punita Dasani
|
1997
|
Fashion and Textile Designing
|
56
|
Mirdu Jain
|
1997
|
Fashion and Textile Designing
|
57
|
Rushda Sareshwala
|
1997
|
Fashion and Textile Designing
|
58
|
Maulishree Doshi
|
1997
|
Fashion and Textile Designing
|
59
|
Shilpi Gupta
|
1997
|
Fashion and Textile Designing
|
60
|
Anupama Pahalwa
|
1997
|
Fashion and Textile Designing
|
61
|
Sheeba Saleem Durrani
|
1997
|
Fashion and Textile Designing
|
62
|
Ekta Girdhar Daswani
|
1997
|
Fashion and Textile Designing
|
63
|
Neel Kamal K. Singh
|
1997
|
Fashion and Textile Designing
|
64
|
Ranjita Narayan Sampath
|
1997
|
Textile Designing
|
65
|
Raina Panchal
|
1997
|
Fashion and Textile Designing
|
66
|
Komal Dipak Shah
|
1997
|
Fashion and Textile Designing
|
67
|
Feriyal Saddruddin Wadhwani
|
1997
|
Fashion and Textile Designing
|
68
|
Monika Shashikant Potnis
|
1997
|
Fashion and Textile Designing
|
69
|
Dipali Nileshbhai Patel
|
1997
|
Fashion and Textile Designing
|
70
|
Radha Krushna Shreenivasan
|
1997
|
Certificate Not Given
|
71
|
Miunir A. Rehman
|
1997
|
Certificate Not Given
|
72
|
Rajvi Radheshyam Agarwal
|
1997
|
Fashion and Textile Designing
|
73
|
Aditi Advait Dave
|
1997
|
Fashion and Textile Designing
|
74
|
Ranna Bharatbhai Bhatt
|
1997
|
Fashion and Textile Designing
|
75
|
Vibha Punam Solanki
|
1997
|
Fashion and Textile Designing
|
76
|
Darshana S. Patel
|
1997
|
Fashion and Textile Designing
|
77
|
Asma Ebrahim Rangwala
|
1998
|
Fashion and Textile Designing
|
78
|
Rohini Dasharath Patel
|
1998
|
Fashion and Textile Designing
|
79
|
Vinay V. Dharwarkar
|
1998
|
Textile Designing
|
80
|
Alpa Umeed Singh Bhaid
|
1998
|
Fashion and Textile Designing
|
81
|
Amita Kiran Patel
|
1998
|
Fashion and Textile Designing
|
82
|
Jayna V. Shah
|
1998
|
Fashion and Textile Designing
|
83
|
Sudha Keshubhai Patel
|
1998
|
Fashion and Textile Designing
|
84
|
Fatima Ismail Kanchwala
|
1998
|
Fashion and Textile Designing
|
85
|
Suprabha Rani Rahman
|
1998
|
Fashion and Textile Designing
|
86
|
Poonam Jayantibhai Patel
|
1998
|
Fashion and Textile Designing
|
87
|
Madhvi Prakash Jagushte
|
1998
|
Fashion and Textile Designing
|
88
|
Rajshree D. Sharma
|
1998
|
Fashion and Textile Designing
|
89
|
Shabana Hussainbhai Rubywala
|
1998
|
Fashion and Textile Designing
|
90
|
Sakina Zoher Abbas Barbarawala
|
1998
|
Fashion and Textile Designing
|
91
|
Hetal Nimish Dalal
|
1998
|
Textile Designing
|
92
|
Shilpa Umed Singh Baid
|
1998
|
Fashion and Textile Designing
|
93
|
Shital Ramavtar Agrawal
|
1998
|
Certificate Not Given
|
94
|
Toral Bhupendra Shah
|
1998
|
Fashion and Textile Designing
|
95
|
Preety Sudhir Kumar Gupta
|
1998
|
Fashion and Textile Designing
|
96
|
Sunita Kanayalal Joukani
|
1998
|
Fashion and Textile Designing
|
97
|
Ruppal Mahendra Kumar Patel
|
1998
|
Certificate Not Given
|
98
|
Nirali P. Christian
|
1998
|
Certificate Not Given
|
99
|
Munawar Karim Khan Kardar
|
1998
|
Fashion and Textile Designing
|
100
|
Rashmi Haresh Chandra Maheshwari
|
1998
|
Fashion and Textile Designing
|
101
|
Sheetal Gohil
|
1998
|
Textile Designing
|
102
|
Pooja Ramesh Kumar Jhawar
|
1998
|
Fashion and Textile Designing
|
103
|
Pragna Hiren Kaparia
|
1998
|
Fashion and Textile Designing
|
104
|
Babita Jaishankar
|
1998
|
Fashion and Textile Designing
|
105
|
Sejal Chandresh Thakkar
|
1998
|
Fashion and Textile Designing
|
106
|
Gopi V. Shah
|
1998
|
Certificate Not Given
|
107
|
Hemangini Kanakray Dave
|
1998
|
Fashion and Textile Designing
|
108
|
Rashmi M. Gupta
|
1998
|
Fashion and Textile Designing
|
109
|
Rehana Jenuddin Vohra
|
1998
|
Fashion and Textile Designing
|
110
|
Alka Bhatnagar
|
1998
|
Fashion and Textile Designing
|
111
|
Nafisa Moiz Fidahussain Radiatorwala
|
1998
|
Textile Designing
|
112
|
Kulin Virsinghh Mqawana
|
1998
|
Certificate Not Given
|
113
|
Mabel Christian
|
1998
|
Fashion and Textile Designing
|
114
|
Trupti Pankaj Bhavaria
|
1998
|
Fashion and Textile Designing
|
115
|
Aayesha Arshadali Tasneem
|
1998
|
Fashion and Textile Designing
|
116
|
Ekta Vishandas Lakhani
|
1998
|
Fashion Designing
|
117
|
Jigna M. Thaker
|
1999
|
Fashion and Textile Designing
|
118
|
Payal Pravin Chandra Mehta
|
1999
|
Textile Designing
|
119
|
Charul Poladia
|
1999
|
Textile Designing
|
120
|
Nirmala Chauhan
|
1999
|
Fashion and Textile Designing
|
121
|
Hema Nayaryan
|
1999
|
Certificate Not Given
|
122
|
Payal Dhawal Shah
|
1999
|
Fashion and Textile Designing
|
123
|
Chitra P. Shah
|
1999
|
Fashion and Textile Designing
|
124
|
Jyoti Sushil Goswami
|
1999
|
Fashion and Textile Designing
|
125
|
Gunjan Harendra Mehta
|
1999
|
Fashion and Textile Designing
|
126
|
Sunita Sanjeev Aggrawal
|
1999
|
Certificate Not Given
|
127
|
Faaiza J. Topiwala
|
1999
|
Fashion and Textile Designing
|
128
|
Admission Canceled
|
1999
| |
129
|
Binita Snehal Amin
|
2000
|
Fashion and Textile Designing
|
130
|
Vandana Jagat Ram
|
2000
|
Fashion and Textile Designing
|
131
|
Amita Paramjit Singh Bhatia
|
2000
|
Fashion and Textile Designing
|
132
|
Bhargavi Vaikunth Prakash
|
2000
|
Fashion and Textile Designing
|
133
|
Palak Mayurbhai Parikh
|
2000
|
Fashion and Textile Designing
|
134
|
Tamanna Mohammed Iqbal Khimani
|
2000
|
Fashion and Textile Designing
|
135
|
Ami Shah
|
2000
|
Certificate Not Given
|
136
|
Purvi Rohitbhai Shah
|
2000
|
Fashion and Textile Designing
|
137
|
Ratin Shyam Mehta
|
2000
|
Fashion and Textile Designing
|
138
|
Asma Sadique Kothawala
|
2000
|
Fashion and Textile Designing
|
139
|
Hiral Lalitbhai Jhaveri
|
2000
|
Fashion and Textile Designing
|
140
|
Janki Dhansukhbhai Mithaiwala
|
2000
|
Fashion and Textile Designing
|
141
|
Sonali Surandrabhai Shah
|
2000
|
Fashion and Textile Designing
|
142
|
Manasi Dilip Patel
|
2000
|
Fashion and Textile Designing
|
143
|
Sarfaraz Paliwala
|
2000
|
Certificate Not Given
|
144
|
Naushad Z. Rangooni
|
2000
|
Certificate Not Given
|
145
|
Tejal Ashok Patel
|
2000
|
Fashion and Textile Designing
|
146
|
Sejal Shankarlal Agarwal
|
2000
|
Fashion and Textile Designing
|
147
|
Kaushal Mahesh Shah
|
2000
|
Fashion and Textile Designing
|
148
|
Dipika Jain
|
2000
|
Fashion and Textile Designing
|
149
|
Tanvi Manhas
|
2000
|
Fashion and Textile Designing
|
150
|
Ruchita Shah
|
2000
|
Certificate Not Given
|
151
|
Shweta Sekhani
|
2000
|
Certificate Not Given
|
152
|
Soni Yogendra Kumar Samrath
|
2000
|
Fashion Designing
|
153
|
Megha Rajubhai Ganatra
|
2000
|
Fashion and Textile Designing
|
154
|
Shamina Azad Barolia
|
2001
|
Fashion and Textile Designing
|
155
|
Ravinaben Parmar
|
2001
|
Fashion and Textile Designing
|
156
|
Kiran Surajprakash Dhall
|
2001
|
Fashion and Textile Designing
|
157
|
Sucheta Ajay Dhall
|
2001
|
Fashion and Textile Designing
|
158
|
Nidhi Babulal Modak
|
2000
|
Certificate Not Given
|
159
|
Sweety Narendra Kumar Agrawal
|
2001
|
Certificate Not Given
|
160
|
Mital Navin Shah
|
2001
|
Fashion and Textile Designing
|
161
|
Meghna Rameshbhai Amin
|
2001
|
Fashion and Textile Designing
|
162
|
Yatri Ramesh Chandra Shah
|
2001
|
Fashion and Textile Designing
|
163
|
Roshani Hiteshkumar Rawal
|
2001
|
Fashion and Textile Designing
|
164
|
Neha Prakash Taparia
|
2001
|
Fashion and Textile Designing
|
165
|
Jalpa Ravindra Patel
|
2001
|
Fashion and Textile Designing
|
166
|
Anoma Contractor
|
2001
|
Fashion and Textile Designing
|
167
|
Anisa Mohammed Iqbal Shaikh
|
2001
|
Fashion and Textile Designing
|
168
|
Paragi Jignesh Patel
|
2001
|
Fashion and Textile Designing
|
169
|
Bhumi Gopaldas Parikh
|
2001
|
Fashion and Textile Designing
|
170
|
Aarti Shalisbhadra Sheth
|
2001
|
Fashion and Textile Designing
|
171
|
Rina Yogeshbhai Varia
|
2001
|
Fashion and Textile Designing
|
172
|
Sneha Bharat Jain
|
2001
|
Fashion and Textile Designing
|
173
|
Nikita Pravin Wadhwa
|
2001
|
Certificate Not Given
|
174
|
Shabnam Shums
|
2001
|
Fashion and Textile Designing
|
175
|
Anar Bhadreshbhai Desai
|
2001
|
Fashion and Textile Designing
|
176
|
Jinali Umeshbhai Ghiya
|
2001
|
Certificate Not Given
|
177
|
Priyamvada Pathak
|
2001
|
Fashion and Textile Designing
|
178
|
Tejal Bharat Kumar Ghiya
|
2001
|
Fashion and Textile Designing
|
179
|
Pinky Vikrambhai Shah
|
2001
|
Fashion and Textile Designing
|
180
|
Birju Devendrabhai Mehta
|
2001
|
Fashion and Textile Designing
|
181
|
Shruti Taparia
|
2001
|
Certificate Not Given
|
182
|
Rimple Eleshkumar Modi
|
2001
|
Fashion and Textile Designing
|
183
|
Sejal M. Patel
|
2001
|
Certificate Not Given
|
184
|
Admission Canceled
|
2001
| |
185
|
Vaishali (Bhatia)
|
2001
|
Fashion and Textile Designing
|
186
|
Darshana Sanjay Parekh
|
2000
|
Certificate Not Given
|
187
|
Annie R. Patel
|
2000
|
Certificate Not Given
|
188
|
Niyati Raumil Shah
|
2001
|
Fashion and Textile Designing
|
189
|
Huma M. Sadiq Maniar
|
2001
|
Fashion and Textile Designing
|
190
|
Shaivi Ketan Bhutia
|
2001
|
Certificate Not Given
|
191
|
Admission Canceled
|
2001
| |
192
|
Trupti Mainsh Shah
|
2001
|
Fashion and Textile Designing
|
193
|
Hiral Prakashbhai Patel
|
2001
|
Fashion and Textile Designing
|
194
|
Silvi Chandrakantbhai Shah
|
2001
|
Certificate Not Given
|
195
|
Kosha Apurva Shah
|
2001
|
Fashion and Textile Designing
|
196
|
Kosha Kalpak Dagli
|
2002
|
Fashion and Textile Designing
|
197
|
Bhumika Gajjar
|
2002
|
Certificate Not Given
|
198
|
Shagufta Abdullah Patel
|
2002
|
Fashion and Textile Designing
|
199
|
Jaspreet Kaur Arora
|
2002
|
Fashion and Textile Designing
|
200
|
Sarfaraz Siraj Sindhi
|
2002
|
Fashion and Textile Designing
|
201
|
Reshma Mohammadbhai Virani
|
2002
|
Fashion and Textile Designing
|
202
|
Vaishali Rajul Patel
|
2002
|
Fashion and Textile Designing
|
203
|
Shibani Vinodkumar Chokshi
|
2002
|
Fashion and Textile Designing
|
204
|
Himanshu Manish Gupta
|
2002
|
Fashion and Textile Designing
|
205
|
Rinikal Dilipkumar Dighe
|
2002
|
Fashion and Textile Designing
|
206
|
Bhoomoka Harkishan Ahuja
|
2002
|
Certificate Not Given
|
207
|
Rasekha Habib Puthawala
|
2002
|
Fashion and Textile Designing
|
208
|
Kavita Bhupendra Borad
|
2002
|
Fashion and Textile Designing
|
209
|
Unnati Dineshbhai Parekh
|
2002
|
Fashion and Textile Designing
|
210
|
Urvita Ashokbhai Patel
|
2002
|
Fashion and Textile Designing
|
211
|
Nahida Akhter Shaikh Hussain
|
2003
|
Fashion and Textile Designing
|
212
|
Dhara Udaybhai Shah
|
2002
|
Fashion and Textile Designing
|
213
|
Geeta Mohanlal Manghrani
|
2002
|
Fashion and Textile Designing
|
214
|
Meghna Nareshkumar Parekh
|
2002
|
Certificate Not Given
|
215
|
Purvi Shivkumar Chowdhary
|
2002
|
Fashion and Textile Designing
|
216
|
Sapana Shantilal Suthar
|
2002
|
Fashion and Textile Designing
|
217
|
Nimisha Hasmukhbhai Patel
|
2002
|
Fashion and Textile Designing
|
218
|
Khushbu Mahendrakumar Shah
|
2002
|
Fashion and Textile Designing
|
219
|
Kalpana Tikam Tharwani
|
2002
|
Fashion and Textile Designing
|
220
|
Payal Ghanshyambhai Jani
|
2002
|
Certificate Not Given
|
221
|
Hiral Pradeepbhai Shah
|
2002
|
Fashion and Textile Designing
|
222
|
Dipti Kishorchandra Vyas
|
2001
|
Certificate Not Given
|
223
|
Varsha Praveen Mathur
|
2002
|
Certificate Not Given
|
224
|
Viral Lalitkumar Patel
|
2002
|
Fashion and Textile Designing
|
225
|
Rima Vidyutbhai Raja
|
2002
|
Certificate Not Given
|
226
|
Ravneet Kaur Gunjan
|
2002
|
Fashion and Textile Designing
|
227
|
Kinnari Niranjanbhai Patel
|
2002
|
Certificate Not Given
|
228
|
Dhara Shirishbhai Shah
|
2002
|
Certificate Not Given
|
229
|
Naema Abdul Rauf Maniar
|
2002
|
Fashion and Textile Designing
|
230
|
Vinita Chandramohan Mandhora
|
2002
|
Certificate Not Given
|
231
|
Shalini Sureshmani Sharma
|
2003
|
Fashion and Textile Designing
|
232
|
Amita Gaurave Jain
|
2003
|
Fashion and Textile Designing
|
233
|
Snehaben Khandubhai Patel
|
2002
|
Certificate Not Given
|
234
|
Jhanvi Dasharatbhai Madho
|
2002
|
Fashion and Textile Designing
|
235
|
Admission Canceled
|
2002
| |
236
|
Kajal Vinit Shah
|
2002
|
Fashion and Textile Designing
|
237
|
Payal Ranjan Jhaveri
|
2003
|
Certificate Not Given
|
238
|
Pinky Mahendrabhai Shah
|
2003
|
Fashion and Textile Designing
|
239
|
Lt. Rashesh Dineshbhai Solanki
|
2003
|
Fashion and Textile Designing
|
240
|
Aditi Mehulbhai Shah
|
2003
|
Fashion and Textile Designing
|
241
|
Devagi Gautam Patel
|
2003
|
Certificate Not Given
|
242
|
Fareha Mohammed Mithaiwala
|
2003
|
Fashion and Textile Designing
|
243
|
Khushali Jayeshkumar Jadia
|
2003
|
Fashion and Textile Designing
|
244
|
Chaitali V. Patel
|
2003
|
Fashion and Textile Designing
|
245
|
Sonal Ugamraj Hundia
|
2003
|
Fashion and Textile Designing
|
246
|
Monal Ugamraj Hundia
|
2003
|
Fashion and Textile Designing
|
247
|
Nahid N. Malik
|
2003
|
Fashion and Textile Designing
|
248
|
Naim Momommad Shaikh
|
2003
|
Certificate Not Given
|
249
|
Shirin Imteaz Shaikh
|
2003
|
Fashion and Textile Designing
|
250
|
Admission Canceled
|
2003
| |
251
|
Ritu Jain
|
2003
|
Fashion and Textile Designing
|
252
|
Bharti Devankinandan Agarwal
|
2004
|
Certificate Not Given
|
253
|
Admission Canceled
|
2004
| |
254
|
Palak Pankaj Shah
|
2004
|
Fashion Textile and Jewellery Designing
|
255
|
Shilpa Jogindar Chhabra
|
2004
|
Fashion Textile and Jewellery Designing
|
256
|
Nazia Nizam Mansuri
|
2004
|
Fashion Textile and Jewellery Designing
|
257
|
Admission Canceled
|
2004
| |
258
|
Dharmishtha Bipinkumar Parmar
|
2004
|
Fashion and Textile Designing
|
259
|
Kamini Aniruddhbhai Kansara
|
2004
|
Fashion and Textile Designing
|
260
|
2004
|
Fashion and Textile Designing
| |
261
|
Ripal Bhavinbhai Patel
|
2004
|
Fashion and Jewellery Designing
|
262
|
Urvi Rushi Desai
|
2004
|
Fashion Textile and Jewellery Designing
|
263
|
Pinky Atulkumar Shah
|
2004
|
Fashion Textile and Jewellery Designing
|
264
|
Shabana Khan
|
2004
|
Fashion Textile and Jewellery Designing
|
265
|
Dipali Pradip Verma
|
2004
|
Fashion Textile and Jewellery Designing
|
266
|
Admission Canceled
|
2004
| |
267
|
Nikita Rajeshbhai Jariwala
|
2004
|
Fashion Textile and Jewellery Designing
|
268
|
Aashini Rupesh Shah
|
2004
|
Fashion Textile and Jewellery Designing
|
269
|
Chandni Parmeshbhai Patel
|
2004
|
Fashion Textile and Jewellery Designing
|
270
|
Alpa Arun Kumar Mehta
|
2004
|
Fashion Textile and Jewellery Designing
|
271
|
Shweta Yogeshbhai Bhatt
|
2004
|
Fashion Textile and Jewellery Designing
|
272
|
Amishi Dilipbhai Patel
|
2004
|
Fashion Textile and Jewellery Designing
|
273
|
Niyati Achyutbhai Mehta
|
2004
|
Certificate Not Given
|
274
|
Maitri Pratik Shah
|
2004
|
Certificate Not Given
|
275
|
Nisha Kumarpal Oswal
|
2004
|
Fashion Textile and Jewellery Designing
|
276
|
Pooja Vipulchandra Aditia
|
2004
|
Certificate Not Given
|
277
|
Rekha Kodamalji Bengani
|
2004
|
Fashion and Textile Designing
|
278
|
Usha Sumermaji Mehta
|
2004
|
Fashion Textile and Jewellery Designing
|
279
|
Admission Canceled
|
2004
|
Certificate Not Given
|
280
|
Nimaben Pushpvaden Bhatt
|
2004
|
Fashion Textile and Jewellery Designing
|
281
|
Ami Rameshbhai Sevak
|
2004
|
Fashion Textile and Jewellery Designing
|
282
|
Hina Kashyapbhai Patel
|
2004
|
Fashion Textile and Jewellery Designing
|
283
|
Foram Hareshbhai Shah
|
2004
|
Fashion Textile and Jewellery Designing
|
284
|
Lalita Bharatbhai Parikh
|
2004
|
Certificate Not Given
|
285
|
Parul Jayesh Dharva
|
2004
|
Fashion Textile and Jewellery Designing
|
286
|
Rutu Kiritbhai Vaidya
|
2004
|
Certificate Not Given
|
287
|
Asma Abdul Reheman Dadu
|
2005
|
Fashion Textile and Jewellery Designing
|
288
|
Humera Mohammad Hussain Sheth
|
2004
|
Certificate Not Given
|
289
|
Ankita Patel
|
2004
|
Certificate Not Given
|
290
|
Komal Sanjaybhai Gandhi
|
2006
|
Fashion Textile Home fashion and Jewellery Designing
|
291
|
Niki Kaushikbhai Vajaria
|
2006
|
Fashion Textile Home fashion and Jewellery Designing
|
292
|
Tarika Rajkumar Lakhani
|
2006
|
Fashion Textile and Jewellery Designing
|
293
|
Nirali Chandrashekhar Joshi
|
2005
|
Certificate Not Given
|
294
|
Pooja Niranjanbhai Adhyaru
|
2005
|
Certificate Not Given
|
295
|
Nasira M. Munshi
|
2005
|
Fashion Textile Home fashion and Jewellery Designing
|
296
|
Urvi Ravindra Jadav
|
2005
|
Fashion Textile Home fashion and Jewellery Designing
|
297
|
Nidhi Mukeshbhai Vankani
|
2005
|
Fashion Textile and Jewellery Designing
|
298
|
Sandhya Shantilal Panagaria
|
2005
|
Fashion Textile and Jewellery Designing
|
299
|
Mohammad Haroon Shaikh
|
2005
|
Certificate Not Given
|
300
|
Archana Manharbhai Solanki
|
2005
|
Fashion Textile and Jewellery Designing
|
301
|
Monal Shailesh Dhruva
|
2005
|
Fashion Textile and Jewellery Designing
|
302
|
Minjal Prakashchand Shah
|
2005
|
Fashion Textile and Jewellery Designing
|
303
|
Aafreen Arshad Kaludi
|
2005
|
Fashion Textile and Jewellery Designing
|
304
|
Sweety Sudhanshu Manglic
|
2005
|
Certificate Not Given
|
305
|
Nidhi Anand Thirani
|
2005
|
Fashion Textile and Jewellery Designing
|
306
|
Purvi Pavankumar Saraf
|
2005
|
Fashion Textile and Jewellery Designing
|
307
|
Iram Shafi Mohammed Chhipa
|
2005
|
Fashion Textile and Jewellery Designing
|
308
|
Nisha Kamal Bhatia
|
2005
|
Fashion Textile Home fashion and Jewellery Designing
|
309
|
Sampada Pranav Jythani
|
2005
|
Fashion Textile and Jewellery Designing
|
310
|
Shruti Kamalesh Kumar Jain
|
2005
|
Fashion Textile and Jewellery Designing
|
311
|
Mohammed Tauseef Shaikh
|
2005
|
Certificate Not Given
|
312
|
Binaifer Percy Merchant
|
2005
|
Fashion Textile and Jewellery Designing
|
313
|
Tanvi Piyush Kumar Patel
|
2005
|
Fashion Textile and Jewellery Designing
|
314
|
Amita Bharat Kumar Kamdar
|
2005
|
Fashion Textile and Jewellery Designing
|
315
|
Dhruva Vinodbhai Patel
|
2005
|
Fashion Textile and Jewellery Designing
|
316
|
Swati Mangilal Agarwal
|
2005
|
Certificate Not Given
|
317
|
Vaidehi Pradeepbhai Joshi
|
2005
|
Fashion Textile and Jewellery Designing
|
318
|
Monika Mohanlol Chopra
|
2005
|
Fashion Textile and Jewellery Designing
|
319
|
Kinjal Pradhyumnabhai Patel
|
2005
|
Fashion Textile and Jewellery Designing
|
320
|
Farnaaz Mustufa Miyah Shaikh
|
2005
|
Fashion Textile and Jewellery Designing
|
321
|
Heena Habibbhai Modan
|
2005
|
Certificate Not Given
|
322
|
Neha Markandbhai Parikh
|
2005
|
Certificate Not Given
|
323
|
Sonal Jashubhai Desai
|
2005
|
Certificate Not Given
|
324
|
Shivani Ashok Kumar Shah
|
2005
|
Fashion Textile Home fashion and Jewellery Designing
|
325
|
Margi Nareshbhai Amin
|
2005
|
Fashion Textile Home fashion and Jewellery Designing
|
326
|
Sandeep Dilipbhai Prajapati
|
2005
|
Fashion Textile and Jewellery Designing
|
327
|
Ketki Upendra Fadnis
|
2005
|
Fashion Textile and Jewellery Designing
|
328
|
Ami Dilipbhai Ghetia
|
2005
|
Fashion Textile and Jewellery Designing
|
329
|
Kiran Suryamani Tiwari
|
2006
|
Fashion Textile Home fashion and Jewellery Designing
|
330
|
Nirmal Gunvantbhai Parekh
|
2005
|
Fashion Textile and Jewellery Designing
|
331
|
Ekta Rajesh Agrawal
|
2005
|
Certificate Not Given
|
332
|
Dhrumal B. Kapadia
|
2005
|
Fashion Textile and Jewellery Designing
|
333
|
Gurpreet Kaur Bhactana
|
2005
|
Fashion Textile Home fashion and Jewellery Designing
|
334
|
Foram Rohit Kumar
|
2005
|
Certificate Not Given
|
335
|
Palak Ashok Miglani
|
2005
|
Certificate Not Given
|
336
|
Chinky Vijaykumar Manghrani
|
2006
|
Certificate Not Given
|
337
|
Kiran Kewal Ramani
|
2006
|
Fashion Textile Home fashion and Jewellery Designing
|
338
|
Prakruti Vinubhai Patel
|
2006
|
Fashion and Textile Designing
|
339
|
Bhumi Harshadbhai Dave
|
2006
|
Fashion Textile Home fashion and Jewellery Designing
|
340
|
Pooja Purushottambhai Patel
|
2006
|
Fashion Textile Home fashion and Jewellery Designing
|
341
|
Meghna Hemantbhai Dalal
|
2006
|
Fashion Textile Home fashion and Jewellery Designing
|
342
|
Romisha Rashmikant Patel
|
2006
|
Certificate Not Given
|
343
|
Sajni Nitinbhai Shah
|
2006
|
Certificate Not Given
|
344
|
Bhumi Rajendrabhai Shah
|
2006
|
Fashion Textile Home fashion and Jewellery Designing
|
345
|
Pinal Hasmukhbhai Patel
|
2006
|
Fashion Textile Home fashion and Jewellery Designing
|
346
|
Suvas Dilipkumar Gandhi
|
2006
|
Fashion Designing
|
347
|
Santwana Kaushik
|
2006
|
Fashion Textile Home fashion and Jewellery Designing
|
348
|
Aakefa Faridmiya Shaikh
|
2006
|
Certificate Not Given
|
349
|
Masudabanu Shaikh
|
2006
|
Certificate Not Given
|
350
|
Mitsu Kaushik Shah
|
2006
|
Fashion Textile Home fashion and Jewellery Designing
|
351
|
Falguni Dwarkabhai Patel
|
2006
|
Fashion and Textile Designing
|
352
|
Rajul Ishwarchand Jani
|
2006
|
Fashion Textile Home fashion and Jewellery Designing
|
353
|
Sangita Praduyman Parmar
|
2006
|
Certificate Not Given
|
354
|
Priyanka Virani
|
2006
|
Certificate Not Given
|
355
|
Palak Rajesh Dudhiya
|
2006
|
Fashion Designing
|
356
|
Hetal Anilkumar Pathak
|
2006
|
Certificate Not Given
|
357
|
Manushi Mahendrakumar Shah
|
2006
|
Fashion and Textile Designing
|
358
|
Amishi Vadgama
|
2006
|
Fashion Textile Home fashion and Jewellery Designing
|
359
|
Purvi Suresh Agrawal
|
2006
|
Fashion Textile Home fashion and Jewellery Designing
|
360
|
Sanjana Nair
|
2006
|
Certificate Not Given
|
361
|
Khushboo Mahendra Shah
|
2006
|
Certificate Not Given
|
362
|
Rashmi Tank
|
2007
|
Fashion Textile Home fashion and Jewellery Designing
|
363
|
Hiren Rajesh Dhariya
|
2007
|
Fashion Textile Home fashion and Jewellery Designing
|
364
|
Kruti Ashok Parikh
|
2007
|
Certificate Not Given
|
365
|
Neha Ganpat Raj Jain
|
2007
|
Fashion Textile Home fashion and Jewellery Designing
|
366
|
Sheekha D. Shah
|
2006
|
Certificate Not Given
|
367
|
Shibani Rajesh Gupta
|
2007
|
Fashion and Textile Designing
|
368
|
Minaxiben Mahedia
|
2007
|
Certificate Not Given
|
369
|
Sarita Mitra
|
2007
|
Certificate Not Given
|
370
|
Nimpal Uday Patel
|
2007
|
Fashion and Textile Designing
|
371
|
Bhakti Oza
|
2008
|
Certificate Not Given
|
372
|
Shreya Kamal Shah
|
2008
|
Fashion and Textile Designing
|
373
|
Harpreet Kaur Mandeep Singh Saini
|
2008
|
Fashion and Textile Designing
|
374
|
Sneha Pankaj Jagad
|
2008
|
Fashion and Home fashion
|
375
|
Shivangi N. Chokhani
|
2008
|
Fashion textile and Home Textile
|
376
|
Geetanjali M. Kothari
|
2008
|
Fashion textile and Home Textile
|
===========================================================
www.giftfeestructure.blogspot.com as per condition apply. GIFT: Gandhi
Institute of Fashion and Textile
If any Yellow Pages show in Google web search beside
Prof. Khalid Ameer Rafique GIFT, anywhere is not our BRANCH, because we do not
have. As shown in grotal.com in Maninagar Ahmedabad is not our “GIFT” BRANCH,
Kindly NOTE. They Misleading Misguiding Students.
NOTE: In same account Year, GIFT all Educational
Schemes Begins from 16th April and gets over in November same
account year, which means no benefits new learner, can avail.
All copy rights are reserved by GIFT: Gandhi Institute
of Fashion and Textile. By Prof Khalid Ameer Rafique.
==========================================================
